Gone Fishing- New painting

Gone Fishing
Mixed Media
15x15 inches

First post in a long time but glad to be back!

This one was from a sketching trip from the cool harbour town Eyemouth just down the coast.  It had been on the easel for quite a while but glad to have now got it finished and signed!

Ryan

Brooklyn blues, new mixed media painting

Happy 2013!

I'm back from a bit of a Blogger break, can't believe its been so long since my last post.

Anyway here is the finished mixed media painting that my last post showed the start of:

Brooklyn Blues

Mixed Media on canvas

80x60cm

There was a fair bit of collage and layering of textures to get to this point.  There's lots of subtle relevant inclusions as well that hopefully will mean there's a lot of looking longevity!  My research on New York style building made me realise I'd picked architecture with LOTS of windows, phew!

 This painting now has a new home in my brother's music room and thankfully he was really happy with the way it turned out

Ryan

These boots are made for walking

These boots are made for walking

Soft pastel on mixed media board
16x12 inches

This painting just won the April 'Get Dusty' competition for the Pastel Guild of Europe! I'm excited as it's the first time I've won something with a painting and it's the first painting I entered in the guild's competition- beginer's luck I reckon!!

This was a bit experimental too I used mixed media collage of old maps from a vintage atlas. Maps of Scotland specifically where I've walked. I'd just come back from a walking holiday on the isle of Arran. I distressed the maps with inks to add to the weathered look. I tore up the paper's edges and stuck to illustration board. This made for an interesting starting surface but to make it suitable for pastel I needed to paint a pastel primer on top. I didn't have one so made my own! Some gesso and acrylic inks gave a neutral grey colour. For Pastel though you need 'tooth' grit or nice expensive paper that holds the pastel dust in multiple layers. I added sand from Portobello beach and marble dust. This gave me a really coarse sand paper ready for the pastel.

When the competition theme came up 'Old shoes still life' I knew straight away that my muddy walking boots would be a good subject. I set up the still life in an interesting composition and lighting and painted with a mixture of soft pastels.

Ryan

A little bird told me

A little bird told me

Mixed media on canvas
8x8 inches

Another small painting, inspired by the noisy bird in the garden! It was so loud and once you'd picked up on the sound it got in your head and couldn't shut it out!

I used personal collage elements as the base of the painting and then embellished with acrylics, inks and texture gels. In this one I added a printed element also.

Hope you like it


Also I became a member of the Pastel Guild of Europe this week. This group's aim is to promote the use and interest of pastel painting as a fine art media. I regularly use pastels for my life drawing/painting group as its ideal for quickly getting an image and colour down on paper- this is really essential when working directly from life as even the best model will move. I'll certainly be doing more pastels as a result, and hopefully pushing myself to do other things like landscapes (I've not done a pure landscape in ages!). I'll try to keep updates coming!

Ryan


Ryan

A moment of pure bliss

A moment of pure bliss

mixed media of canvas
8x8 inches

This was a really fun painting to do. Lots of gold bling in there makes it very decorative, Klimt wouuld be pleased!

There is collage elements that are then painted over with acrylics, inks and oil pastels.

Ryan

Forbidden fruit 2

Forbidden fruit 2
Mixed media on board
15x15 inches

He's the sequel to the 'Eve' painting I did. Has been on the spare easel for a wee bit while I did some oil painting studies. Finally decided to get this one done.

Here's some close-ups so you can see the textures and collage elements







Ryan

A virus

Here's my latest one. It's a bit of an exploration in mixed media- trying out a few new things. Some of the lovely new range of Daler Rownet artist acrylics and Caran D'ache Neo pastels. Different paper types used in the collage too include washi, handmade indian paper, cardboard and printed images.

Having real bother with my digital camera- think its on the waay out. Very difficult to get an accurate image. Quite frustrating and I think I'll need a new one after pay day.

Ryan

Forbidden fruit

Forbidden Fruit

16x16 inches

Mixed media on board

The next in my new style that is developing at the moment. Am really enjoying being able to get a bit of a narrative going in the paintings. The aim is to engage the viewer to think about what is going on.

The ability to add lots of layering allows for me to include elements at the collage stage that add to the story of the painting. I like how the simple composition and colours can initially attract the eye. As you get closer you notice the variety of texturing throughout giving another layer of interest. When you get right up to it you can begin to see through the transparent layers to the collage element.

Off to start the next one!

Ryan

Getting to know you

Getting to know you

15x15 inches

Mixed media on board

Continuing my series of mixed media contemporary figurative work that I started with 'Reserved for you' and 'Bond with a blond', here is the next work.

This one took a little longer to do until I was happy that I had got down my original concept. Its certainly tricky to do this compared to working in a representational way from life or photo (where your reference is right in front of you). An imagined image- even with preparatory sketches and colour studies- always changes.

It's weird that the images look simplistic and naive
(deliberately!), but the work invovled to do this as an adult is so tough!!
Picasso put this really well when he said, "It took me four years to learn to paint like Raphael, but a lifetime to paint like a child."

The way I've been working with the mixed media is controlled but intuitive so I don't always know how an image or effect will turn out or fit in with the overall piece. I was unhappy with the walls originally as I wanted a different textural effect. My original attempt with collage, inks and acrylic were too powerful and made the overall image look messy. I had some collage work there that added text elements that were relevant to the narrative of the painting- I realised I was being too precious about it and it was restricting my processes. My eureka moment was adding oil pastel over this. I did this in layers of subtle colours till a had a fairly thick layer then used a damp cloth to gently rub areas- this blended the oil pastel a little but also gives a nice waxy finish as a texture (a happy accident discovering this!!)

Ryan

House painting commission

Hillswick

Acrylic and mixed media on canvas

80 x 60 cms

Here's a recent house painting I did for a friend last month.

Ryan

Bond with a blonde

Bond with a blonde

Mixed media on board

15 x15 inches

Continuing the stlye I experimented with 'Reserved for you', this one is based on a certain gentleman spy!
Had fun with the texture and collage elements in this- managed to get the Aston Martin in too!

Was aiming to keep the colour harmoniuos and make an interesting composition. The texture uses acrylic mediums (texture paste and glass bead gel) and collage.

Ryan

Reserved for you

Reserved for you

Mixed media

15x15 inches

Last term at Leith School of Art we used a good variety of media and worked hard at loosening up style and application. I've been inspired to try to develop my style a little away from purely representational work. This has been inspired from Henry Moore's drawings and sculptures and a Scottish artist I like called Jonathan Hood.

I'm hoping to use the semi-abstract and mixed media approach to my Landscape painting as I'd become a bit frustrated with the genre.

Horse #2

Horse #2
Mixed media on canvas

16x20inches

The next in my series inspired by classical sculture. This Greek horse sculpture (from the Parthenon Frieze) had a great sense of urgency- there is a mix of excitement, fear and rage that I wanted to recreate to give the sense of a horse used in battle.

This was the starting stage for this one- using collage and texturing effects to create an interesting backdrop

I enjoyed trying a new trick on this one in using acrylic paint mediums to transfer an image onto the paint surface. Instead of using collage to stick a paper image- the benefit of this technique is that with acrylic mediums transferring the image they can be made to be transparent and therefore the underpainting can show through- really was quite exciting to see what I could do with this

Horse, Persepolis

I can't believe its been so long since my last post!! I did get married however so I have a pretty good excuse!!

Anyway here is my next offering inspired by Classical sculpture

Horse, Persepolis

Mixed media on canvas

16x20inches